Naguib Mahfouz, "Zaabalawi"
There is something exemplary of Islam, particularly the Sufi Mystic tradition,
in this text. The story, a kind of quest narrative with an unceertain object
of the quest, is structured by allegory.
The disease with which the story begins seems quite allegorical--finding the
cure elusive, challenging, arduous, but in the search there seems as many
rewards as in the attainment.
Now, If Zaabalawi is an allegorical figure, what is he a figure for. Not god--that
is too simple here, but perhaps the vehicle through which god may be discovered,
acknowledged, found, as the mystic tradition would have it, within one's self.
Along the way to acknowledging what might encompass the proper search for
divinity, Mahfouz comments upon his society at the same time. Thus we see,
in the route taken by our hero, a kind of road map of gradually more
sacred spaces.
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The search begins from the suggestion of the father/ patriarchal values.
ENCOUNTER RESULT REACTION
A. Sheik Qamar | Turned away cursorily (no profit) | embarrassment |
B. Book vendor | Where is Z today? | despair |
C. Local Sheikh | Provide a map of the district | bewilderment |
D. Calligrapher Hassanein | Verify Z's saintliness | more despair, "reluctantly" |
E. Gad, the musician | reminds him of life's pleasures, Verify Z's saintliness | renewed hope hospitality |
F. Mr. Wanas | vision of Z in drunken stupor | New conviction |
Difference in confrontations between the old and the new, tradition
and modernity.
Paradox of enlightenment through the liquor.
Go to this link, for a different kind of study guide. Hopefully, there will be enough "study questions" for you there.