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Panelist Hetty ter Haar |
Joe Napolitano, Department of English, Georgetown University My paper would situate Njabulo Ndebele’s
2003 novel The Cry of Winnie Mandela as a narrative of ‘exile’ and ‘homecoming,’ though
perhaps ‘dislocation’ and ‘reclamation’ are
more accurate descriptors. For the novel poses a pointed question – “Is
a country of so much dislocation a home?” – and ultimately
answers with an image of five women on a “pilgrimage to eternal
companionship,” reclaiming the spaces (both public and private)
of South Africa. I would argue that Ndebele assembles this particularly
vexed constellation of women – Winnie Mandela and four ordinary
South African ‘women who waited,’ and also, by extension,
Sara Baartman and the mythical Penelope – in order to imagine
for the South African woman a new experience of home that also offers
unprecedented freedom of movement. |