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Panelist Ahmednasir M. Abdullahi |
In the eye of the storm: Conflict Impact on Art Tradition in Pre- and Postcolonial Ibadan Adérónké Adésolá Adésànyà,
PhD, Institute of African Studies, University of Ibadan, Nigeria Conflict and attendant migration engendered
shifts in identities, power, and art and craft traditions in southwestern Nigeria
particularly during the imperial campaigns of Ibadan. We examine pre and post
conflict transformations in Ibadan with a view to determining among other things,
how woodcarving which hitherto was not a flourishing art in Ibadan (Nigeria)
especially during the restive and formative period of the city became a significant
art tradition in Ibadan. Although the idea that Ibadan had nurtured a woodcarving
tradition has been suggested by a number of scholars who took interest in her
history, this view has not been established. We are encouraged to advance an
outside origin for woodcarvings in Ibadan for a number of reasons: Ibadan in
her early beginnings was predominantly peopled by warriors and less craftsmen.
Besides, woodcarving is an occupation of a peaceful, enduring, patient, restful
and creative mind. This cannot be said of the average Ibadan warrior who is
highly restive. Thus, if the art is not original to the city, how, when and
from where did the art originate? How did it become established in Ibadan?
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